Lust For Life was originally published in 1934. The edition I read was published in 1984.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Monday, September 28, 2015
Shakespeare Reference in Lust For Life
Irving Stone’s biographical novel about Vincent Van Gogh,
Lust For Life, contains a Shakespeare
reference. Stone writes, “Theo sent him a one-volume edition of Shakespeare; he
read ‘Richard II,’ ‘Henry IV,’ and ‘Henry V,’ projecting his mind to other days
and other places” (p. 446).
Saturday, September 12, 2015
Shakespeare References in Reading Lolita In Tehran
Azar Nafisi’s Reading
Lolita In Tehran: A Memoir In Books contains a few Shakespeare references.
The first two are to Hamlet. Nafisi
writes: “The only one among us who claimed she had never experienced such fear
was Nassrin. ‘I was always afraid of having to lie. You know what they say: to
thine own self be true and all that. I believe in that sort of thing,’ she said
with a shrug” (p. 46). That, of course, is a reference to Polonius’ advice to
Laertes in the first act of the play. And then a little later Nafisi writes: “‘The
problem with the censors is that they are not malleable.’ We all looked at
Yassi. She shrugged as if to say she couldn’t help it, the word appealed to
her. ‘Do you remember how on TV they cut Ophelia from the Russian version of Hamlet?’” (p. 50). She continues: “‘That
would make a good title for a paper,’ I said. ‘Mourning Ophelia’” (p. 50).
The others are references to Shakespeare himself. Nafisi
writes: “These are my memories of Norman: red earth and fireflies, singing and
demonstrating on the Oval, reading Melville, Poe, Lenin and Mao Tse Tung,
reading Ovid and Shakespeare on warm spring mornings with a favorite professor,
of conservative political leaning, and accompanying another in the afternoons,
singing revolutionary songs” (pages 83-84). Then: “He taught drama and film –
Greek theater, Shakespeare, Ibsen and Stoppard, as well as Laurel and Hardy and
the Marx Brothers” (p. 139). And then just a bit later she writes, “Heated
debates had ensued in that packed meeting as drama students demanded that
Aeschylus, Shakespeare and Racine be replaced with Brecht and Gorky, as well as
some Marx and Engels – revolutionary theory was more important than plays” (p.
139).
Nafisi also at one point mentions the new Globe in
London: “I acted as if we were talking about a normal trip, a routine visit to
her older sister in London – it’s far too wet at this time of year; do ask them
to take you to the Globe” (p. 322).
Reading Lolita In
Tehran: A Memoir In Books was published in 2003.
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