The Shining was published in 1977. The first Signet Printing was in
January of 1978. The copy I read this time is from a more recent printing, for
it mentions It on the cover.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Saturday, June 13, 2020
Shakespeare References in The Shining
I recently re-read Stephen King’s The Shining (a book I hadn’t read since my childhood), and of
course discovered that there are a few Shakespeare references in it. That
shouldn’t have surprised me, particularly as the character of Jack Torrance is
a writer. And, in fact, the first reference is because of his profession.
Jack’s wife, Wendy, says, “Jack Torrance, the Eugene O’Neill of his generation,
the American Shakespeare!” (p. 117). The second reference is to The Merchant Of Venice. Some lines,
those that are spoken in the characters’ heads, often the characters’ darker
voices, are presented in parentheses. Such is the case with the reference to The Merchant Of Venice, with Stephen
King writing, “(YOU’VE GOT YOUR POUND OF FLESH BLOOD AND ALL NOW CAN’T YOU
LEAVE ME ALONE?)” (p. 190). The next reference is to Hamlet, with Stephen King giving a nod to Hamlet’s line to Horatio,
“There are more things in heaven and earth, Horatio,/Than are dreamt of in your
philosophy.” King writes, “Watching him, she had been struck again by the eerie
certainty that Danny knew more and understood more than there was room for in
Dr. (‘Just call me Bill’) Edmond’s philosophy” (p. 192). There is another Hamlet reference. King writes, “In his
faded tartan bathrobe and brown leather slippers with the rundown heels, his
hair all in sleep corkscrews and Alfalfa cowlicks, he looked to her like an
absurd twentieth-century Hamlet, an indecisive figure so mesmerized by
onrushing tragedy that he was helpless to divert its course or alter it in any
way” (p. 297). The hotel where Jack is the winter caretaker is full of ghosts,
and one of those ghosts delivers the book’s other Shakespeare reference, this
one to King Lear. King writes, “‘A
thankless child is sharper than a serpent’s tooth,’ Grady said, handing him his
drink” (p. 350).
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