Nelson includes a reference to Shakespeare himself as
well, writing: “Thurber for mirth? For drama and poetry, Shakespeare’s plays?”
(p. 51). Soon after that there is a reference to Julius Caesar, with the character Kurt ending one of his letters
with the line “Yet Caesar shall go forth,” a line from Act II scene ii. We then
have another reference to Twelfth Night,
and this one too is the last one of one of Kurt’s letters: “And what should I
do in Illyria?” (p. 60). In the play, Viola speaks that line. That is followed
by a reference to Henry The Fifth,
with Kurt writing in a letter to Chloe, “And for every meal, it’s thrice more
into the breach, dear cousin” (p. 64). That is obviously a play on Henry’s line
“Once more unto the breach, dear friends, once more.” Kurt ends another of his
letters with a play on a line from Love’s
Labour’s Lost: “To each his own. Greasy Joan doth keel those pots” (p. 77).
The original line is “While greasy Joan doth keel the pot,” from Act V scene
ii. There is another reference to Shakespeare, with Nelson writing, “Randall is
getting good, and we may expand into Shakespeare, Chekhov, and Wilde” (p. 86).
Kurt ends one of his letters with a reference to Hamlet: “We are but caviar to the general” (p. 86). When Hamlet
speaks to the players, he says “for the play, I remember, pleased not the
million. ‘Twas caviar to the general.” There is then another Hamlet reference, and again it comes at
the end of one of Kurt’s letters: “Then we trundle off to bed for a pleasant
night’s sleep. Perchance to dream” (p. 128). And yet another letter ends with a
reference to The Second Part Of King
Henry The Fourth: “We have heard the chimes at midnight” (p. 144). In the
play, Falstaff speaks that line to Shallow. There is what is likely another
reference to The Second Part Of King
Henry The Fourth, with Charles Nelson writing, “At least I’ve heard nothing
more about it, and Rumor with his cloak of tongues finds eager ears at First
Med” (p. 217). This may be a reference to the prologue, spoken by Rumor, which
more than once mentions tongues: “Upon my tongues continual slanders ride” and “From
Rumor’s tongues/They bring smooth comforts false.”
Charles Nelson writes, “And thereby hangs a sad tale” (p.
259). Is this a reference to As You Like It,
in which Jacques says “And then from hour to hour we rot and rot,/And thereby
hangs a tale”? Or it is a reference to The
Taming Of The Shrew, in which Grumio says “Out of their saddles into the
dirt, and thereby hangs a tale”? Or could it possibly be a reference to Othello, where the Clown says “Oh,
thereby hangs a tail” and the Musician says “Whereby hangs a tale, sir”? My
guess is that Charles Nelson was thinking of As You Like It when he wrote that line. He quotes As You Like It again a little later: “I
told her I’d rather have a fool to make me merry than experience to make me sad”
(p. 315). Rosalind speaks the line in Act IV scene i. This book also contains a
reference to Cymbeline, with Kurt
ending a letter with the line “He’ll fear no more the heat o’ the sun” (p.
319). That line comes from a song from Act IV Scene ii: “Fear no more the heat
o’ the sun,/Nor the furious winter’s rages.” The book’s final Shakespeare
reference is to Hamlet. Nelson
writes, “And may flights of angels sing thee to thy rest” (p. 335). That is a
slight variation on Horatio’s famous line, “And flights of angels sing thee to
thy rest.”
The Boy Who Picked The Bullets Up was published in 1981. The First Avon Printing was in August of 1982.
The Boy Who Picked The Bullets Up was published in 1981. The First Avon Printing was in August of 1982.
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