There are a couple of references to Hamlet. Cornwell writes, “In 1881, he tagged along with Ellen Terry
as she hit the shops of Regent Street in search of gowns for her role as
Ophelia at the Lyceum” (p. 63). And then: “In most productions of Shakespeare’s
Hamlet, the ghost enters and exits
through the trap. Sickert probably knew far more about stage traps than sewer
traps. In 1881, he played the ghost in Henry Irving’s Hamlet at the Lyceum Theater. The dark shape at the figure’s feet
in Sickert’s painting could be a theater trap. It could be a sewer trap” (p.
68).
Patricia Cornwell even claims that the name Jack The
Ripper comes from Shakespeare: “Sickert could have come up with the name ‘Jack
the Ripper’ by reading Shakespeare. As Helena Sickert said in her memoirs, when
she and her brothers were growing up, they were all ‘Shakespeare mad,’ and
Sickert was known to quote long passages of Shakespeare. Throughout his life he
loved to stand up at dinner parties and deliver Shakespearean soliloquies. The
word Jack is found in Coriolanus, The Merchant of Venice, and Cymbeline.
Shakespeare doesn’t use the word ripper,
but there are variations of it in King
John and Macbeth” (pages 112-113).
Apparently, there was (still is?) a pub called the Merry
Wives of Windsor. Cornwell writes: “One day, a wretched-looking woman, having
the appearance of a tramp, appeared at the Merry Wives of Windsor public house
and inquired about Chapman” (p. 147). She mentions it again: “The woman at the
door of the Merry Wives of Windsor informed the tramp that Mr. Chapman had died
on Christmas day” (p. 147). There is another mention of Henry The Fifth: “In one of the earliest existing Sickert letters,
one he wrote in 1880 to historian and biographer T.E. Pemberton, he described
playing an ‘old man’ in Henry V while
on tour in Birmingham. ‘It is the part I like best of all,’ he wrote” (p. 154).
Regarding a guest book that Patricia Cornwell believes was vandalized by Jack The Ripper, she writes, “The page is filled in with scribbles and comments and allusions to Shakespeare, most of it crude and snide” (p. 264). There is another mention of Hamlet: “I don’t know where Sickert spent his holidays, but I suspect he would have wanted to be in London on the last Saturday of the year, December 29th, when Hamlet opened at the Lyceum, starring Henry Irving and Ellen Terry” (pages 279-280). Regarding Sickert’s wife, and the similarities she might have seen between Sickert and her father, Cornwell writes, “He loved Shakespeare, Byron, Irving and Cooper” (p. 306).
Regarding a guest book that Patricia Cornwell believes was vandalized by Jack The Ripper, she writes, “The page is filled in with scribbles and comments and allusions to Shakespeare, most of it crude and snide” (p. 264). There is another mention of Hamlet: “I don’t know where Sickert spent his holidays, but I suspect he would have wanted to be in London on the last Saturday of the year, December 29th, when Hamlet opened at the Lyceum, starring Henry Irving and Ellen Terry” (pages 279-280). Regarding Sickert’s wife, and the similarities she might have seen between Sickert and her father, Cornwell writes, “He loved Shakespeare, Byron, Irving and Cooper” (p. 306).
Portrait Of A
Killer: Jack The Ripper Case Closed was published in 2002. The copy I read
was the Berkley mass-market edition, published in 2003.
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