Blood And Money was originally published in 1976. I read the New Dell Edition, which was first printed in 1981.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Friday, November 26, 2021
Shakespeare References in Blood And Money
Thomas Thompson’s true crime book, Blood And Money, contains several Shakespeare references. The first
is to Shakespeare himself, with Thompson writing, “Had he faced a firing squad
and been told that his life would be spared only if he could quote from memory
great chunks of Longfellow and Keats and Shakespeare, then he would walk away
free and alive” (p. 10). Some of the references in this book are variations on
lines from Shakespeare. For example, Thompson writes, “He owned a broken-down
chestnut mare named Dot who had borne ten thousand young Houston children on
her swayed back” (p. 28). This is a variation on Hamlet’s line to Horatio, “He
hath borne me on his back a thousand times.” The next reference to is The Merchant Of Venice, with Thompson
writing, “In numerous tellings, Ann had so refined and honed the ‘act of
violence’ that it had become a set piece, a gothic monologue, her voice
lowering and darkening in the suspenseful moments, then rising and coloring
like Portia in the dock” (p. 266). Then we get another variation on a phrase
invented by Shakespeare. Thompson writes, “Bennett returned to Texas with his
law degree and a season of discontent” (p. 407). The opening line of Richard The Third is “Now
is the winter of our discontent.” Then we have another Hamlet
reference, Thompson quoting lawyer Bob Bennett, “And this is murder
particularly foul, when you shoot a man until he is dead, and then go back and
collect money from a defendant like this” (p. 503). This is a reference to the
Ghost’s line “Murder most foul, as in the best it is.” The book’s final
Shakespeare reference is to King Lear,
Thompson writing “Now, just as the friend took his leave, turning the knob of
Ash’s front door, grateful to leave as a theatergoer would be to depart the
house of Lear, he ventured a rude question” (p. 509).
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