Determinism And Freedom In The Age Of Modern Science was published in 1958. The First Collier Books Edition was published in 1961.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Friday, September 17, 2021
Shakespeare References in Determinism And Freedom In The Age Of Modern Science
This book, which was edited by Sidney Hook, features the
thoughts of several philosophers and teachers on the subject of determinism.
And it includes a couple of Shakespeare references. The first comes in the
book’s first chapter, “The Case For Determinism,” written by Brand Blanshard.
Blanshard writes, “‘The quarto and folio editions of mankind’ can follow the
argument with fewer lapses than most of us; in the texts of the greatest of all
dramas, we are told, there was seldom a blot or erasure; but Ben Jonson added,
and no doubt rightly, that there ought to have been a thousand” (p. 28). Here
Blanshard refers to Shakespeare’s works, and also to Ben Jonson’s famous line,
regarding the idea that Shakespeare never blotted out a line: “Would he had
blotted a thousand.” Then John Hospers in “What Means This Freedom?” refers to Hamlet. Hospers writes: “Premeditation,
especially when it is so exaggerated as to issue in no action at all, can be
the result of neurotic disturbance or what we sometimes call an emotional
‘block,’ which the person inherits from long-past situations. In Hamlet’s
revenge on his uncle (I use this example because it is familiar to all of us),
there was no lack, but rather a surfeit, of premeditation; his actions were so
exquisitely premeditated as to make Freud and Dr. Ernest James look more closely to find out
what lay behind them. The very premeditation camouflaged unconscious motives of
which Hamlet himself was not aware. I think this is an important point, since
it seems that the courts often assume that premeditation is a criterion of
responsibility. If failure to kill his uncle had been considered a crime, every
court in the land would have convicted Hamlet” (p. 128). Then, a bit later,
Hospers writes: “The reasons may be rationalizations camouflaging unconscious
motives of which the agent knows nothing. Hamlet gave many reasons for not
doing what he felt it was his duty to do: the time was not right, his uncle’s
soul might go to heaven, etc. His various ‘reasons’ contradicted one another,
and if an overpowering compulsion had not been present, the highly intellectual
Hamlet would not have been taken in for a moment by these rationalizations. The
real reason, the Oedipal conflict that made his uncle’s crime the
accomplishment of his own deepest desire, binding their fates into one and
paralyzing him into inaction, was unconscious and of course unknown to him” (p.
129).
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