Murder For Profit
was published in 1926. The edition I read was published in 1964.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Wednesday, July 29, 2020
Shakespeare References in Murder For Profit
William Bolitho makes a few references to Shakespeare and
his works in Murder For Profit, a
book about the crimes of serial killers who murdered for money. In the
chapter about G.J. Smith, Bolitho writes, “To love oneself like a Troppmann or
Smith is a lifelong paroxysm in which the adoration of Saint John of the Cross,
the jealousy of Othello, the steadfastness of a Dante is imitated” (p. 108).
The second reference is to Shakespeare’s poem Venus And Adonis, and more precisely is a reference to the poem’s
dedication. Interestingly, it is one of the murderers who actually quotes the
lines. Bolitho writes, “Pleased with this effort and still full of zeal, Smith
went on to write another to the brother, which begins with the peerless lines: Dear Sir – I know not how I shall offend in
dedicating my unpolished lines to you nor how you will censure me for using so
strong a prop for supporting so grave a burden” (pages 132-133).
Shakespeare’s dedication to Henry Wriothesley, Earl of Southampton, reads, in
part, “I know not how I shall offend in dedicating my unpolished lines to your
lordship, nor how the world will censure me for choosing so strong a prop to
support so weak a burden.” The book also contains a reference to Much Ado About Nothing, and specifically
to one of its characters, with Bolitho writing, “yet the very act of giving a
powerful commercial organization a direct interest that the victim should not
die wakens an enemy whose determination and acumen is more dangerous to the
assassin than all the Dogberrys of all the local inquest courts” (p. 142). The
book’s final reference is to Shakespeare himself. Bolitho writes, “In his
intercourse they felt the divine glows of idealized emotion, which only
Shakespeare and Beethoven can give to the sophisticated” (p. 195).
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