Where Did I Go
Right?: You’re No One In Hollywood Unless Someone Wants You Dead was
published in 1999. The copy I read was a First Edition, withdrawn from the
library.
This blog started out as Michael Doherty's Personal Library, containing reviews of books that normally don't get reviewed: basically adult and cult books. It was all just a bit of fun, you understand. But when I embarked on a three-year Shakespeare study, Shakespeare basically took over, which is a good thing.
Thursday, November 21, 2019
Shakespeare References in Where Did I Go Right?
On my trip to Boston, I took two books to read, both
about producing films, and both with questions as titles. The first was What Just Happened? by Art Linson. The second was Where Did I
Go Right?: You’re No One In Hollywood Unless Someone Wants You Dead, by
Bernie Brillstein with David Rensin. Both books contain Shakespeare references.
Where Did I Go Right? contains
several references. The first is to The
Merchant Of Venice, with Bernie Brillstein writing, “I had a week to come
up with the money, so I took a loan from a shylock” (p. 85). He makes two more
similar references: “I paid off the shylock and everyone else, and then I only had
to pay back my uncle” (p. 86) and “If you owe a shylock $70,000 when you only
make $25,000 a year – and all of that goes to rent and alimony – show-business
anxiety is a piece of cake” (p. 87). The next reference is to Shakespeare
himself: “An actor can’t just walk into an ‘acting’ club and recite Shakespeare
for nothing” (p. 242). Then we get a reference to Macbeth: “I’m not saying that I regret any of it. What’s done is
done” (p. 262). The line “What’s done is done” is spoken by Lady Macbeth in the
third act. The next couple of references are to Shakespeare. Brillstein writes,
“I’m just worried that the magnifying glass over our industry – all in the name
of keeping us interested enough to buy movie tickets and CDs, watch TV shows,
etc. – makes it seem like, as James Poniewozik wrote in Salon, an on-line magazine, that our lives are about ‘dynastic
struggles on the scale of Shakespeare’s histories’” (p. 271). And then: “I was
in New York on business and I was tired, but Ileen Maisel insisted that I see Liaisons Dangereuses. The Royal
Shakespeare Company play, written by Christopher Hampton, was on Broadway after
an earlier run on London’s West End” (p. 279). The book’s final reference is to
The Merchant Of Venice: “Everyone
extracts their pound of flesh” (p. 294).
Shakespeare References in What Just Happened?
I brought two books to read on my trip to Boston, and
both contain Shakespeare references. Both are about producing films, and the
titles of both are questions. The first one I read was What Just Happened?: Bitter Hollywood Tales From The Front Line by
Art Linson. This one contains two references. The first is a reference to Macbeth. Art Linson writes, “You’ll see,
Mamet’s gonna have to sound like Richard Burton in a tutu reciting Macbeth
before you’re gonna get the cash” (p. 32). The second makes use of the title of
one of Shakespeare’s comedies. Linson writes: “After all, we had more than a
week before we burned some film, and there was no hard evidence that Alec was
going to hold on to the Long Island Santa Claus look. At least not once he
thought it through. This was much ado about nothing” (p. 69).
What Just
Happened?: Bitter Hollywood Tales From The Front Line was published in 2002
by Bloomsbury. The copy I read was the First U.S. Edition.